Video Tag
Every video tagged “latex mask” in the library — a focused slice of the Halloween archive.
103 videos
Ed Edmunds of Distortions Unlimited walks through the origin and production process of the iconic Liar Mask, covering how it is poured, pulled, cut, and painted in latex. Mask expert AJ Good of House of Masks joins to discuss the Liar Mask's connection to Slipknot members Chris Fehn and Brandon Darner, as well as the conversion process used to adapt the design. Together they offer a rare behind-the-scenes look at a mask that bridges professional Halloween manufacturing and rock music history.
Allen Hopps of Stiltbeast Studios walks through how to repaint an existing latex Halloween mask to dramatically change its appearance. The core technique centers on a custom flexible paint formula that blends latex house paint, casting latex, and distilled water in equal parts. This approach keeps the paint from cracking or peeling as the mask flexes during use.
Stiltbeast Studios walks through practical techniques for painting latex masks using a Harbor Freight quick change airbrush. The video addresses several common problems users encounter and offers straightforward fixes to keep the workflow moving. It's a concise, beginner-friendly guide aimed at getting mask makers painting faster and with better results.
Allen Hopps of Stiltbeast Studios walks through the process of adding hair to a latex mask in this extended, in-depth tutorial originally recorded as a Facebook Live session. The format allows for a thorough exploration of the technique, with plenty of viewer questions addressed throughout the runtime. It builds on a shorter version Allen produced previously, offering a more comprehensive deep-dive for those who want additional detail and context.
This long-form tutorial from Stiltbeast Studios walks through the complete process of building a two-part plaster mask mold from start to finish. Running nearly four hours, it is structured as a comprehensive, question-answering session covering every stage of the molding workflow. The format suggests a live or recorded hangout, making it especially accessible for learners who want real-time explanations alongside the demonstration.
Ed Edmunds of Distortions Unlimited and mask historian AJ Good of House of Masks dive into the origin story of the iconic Baby Face mask worn by Slipknot's Greg 'Cuddles' Welts. Ed explains the creative concept behind the Baby Face design and offers a look at how Distortions paints their latex masks in-house. AJ contributes expert context on how Slipknot incorporated the mask into their visual identity and its place in theatrical mask history. Together, the two offer a rare blend of manufacturing insight and pop-culture documentation.
Stiltbeast Studios demonstrates how to transform a cheap mummy mask into a convincing, high-quality costume piece using painting and detailing techniques. The short-form video is a condensed highlight reel drawn from a longer live tutorial. No expensive materials or advanced skills are required, making it accessible to most Halloween enthusiasts. The result elevates a budget mask into something worthy of any haunted gathering.
Allen Hopps of Stiltbeast Studios demonstrates a fast, approachable method for painting latex Halloween masks, showing multiple color schemes side by side to highlight how technique and palette affect the final look. Masks are base-coated in latex paint, detailed with acrylics, and finished with a protective coat of ArmorAll. Painting the same mask in different colorways makes it easy to compare results and understand how contrast drives a convincing finish.
In this Monster Lab episode, Ed Edmunds of Distortions Unlimited demonstrates a quick technique for adding a realistic gloss to latex mask and prop eyes using Devcon 5 Minute Epoxy Clear. The method is drawn directly from Distortions' professional production workflow for masks, props, and animatronics. At just four minutes, it's a compact, focused tutorial that can immediately elevate the realism of any finished latex piece.
Allen Hopps of StiltbeastStudios spotlights a product called WET by FrightProps, his go-to solution for achieving a convincing glossy, wet-look finish on Halloween props and masks. The short review explains why he made the switch to this product over alternatives for any application requiring a shiny, lifelike surface. It serves as a practical recommendation from an experienced haunted-attraction professional.
Stiltbeast Studios walks through the complete lifecycle of a latex lobster mask in a single 23-minute video, covering every major stage from initial sculpt to finished painted piece. Viewers see the two-piece mold created, latex poured and pulled, and the mask brought to life with paint. The lobster design carries a carnival or circus character aesthetic well-suited for costumes and haunted house characters. This is a rare end-to-end look at professional mask-making condensed into one cohesive session.
Stiltbeast Studios walks through the process of molding an original sculpture to produce a wearable half mask, emphasizing how approachable the workflow is for newcomers to mask making. The video covers the key steps involved in taking a sculpt and converting it into a functional half-mask mold. It appears to be part of the studio's broader series on special effects prop and costume fabrication.
The creator showcases multiple handcrafted eyeball prototypes made during quarantine, exploring different approaches to achieve the best result for an upcoming latex mask project. Viewers are invited to weigh in and help select which prototype design moves forward to full production. A separate dedicated eyeball tutorial is referenced for those wanting step-by-step guidance. The video serves as both a creative preview and a community engagement piece.
Allen Hopps of Stiltbeast Studios demonstrates how to fabricate a large set of professional-quality sculpting loop tools and rakes using everyday inexpensive materials. By repurposing wire whisk tines and coping saw blades bonded with steel epoxy putty, builders can produce more than twenty tools for a fraction of the cost of buying them individually. The resulting tools are suitable for both clay and paper mache sculpting in prop and mask making contexts.
In this short behind-the-scenes clip filmed during production of the Travel Channel series Making Monsters, renowned sculptor Jordu Schell shares his personal Distortions Unlimited latex mask collection. He highlights the Creeton mask — one of the first his parents ever bought him — offering a nostalgic glimpse into his connection with the brand. The masks featured were originally sculpted by Distortions Unlimited founder Ed Edmunds, and the footage was captured by Adam Taub as part of a Distortions documentary project.
Stiltbeast Studios demonstrates a reliable method for attaching custom-made Krampus horns to a latex mask using a dual-bond approach. The technique combines a mechanical wire connection with multiple attachment points to distribute stress evenly, plus a wide-surface adhesive bond for extra security. While shown specifically for Krampus horns, the creator emphasizes this method is adaptable for attaching a wide variety of additions to any latex mask.
This video is the second part of a travel vlog documenting the creator's attendance at Monster Camp, a hands-on latex mask-making workshop run by industry artist Allen Hopp in Texas. The episode showcases the finished latex mask the creator produced during the camp, along with the impressive results from fellow attendees. It serves as both a reveal of the final pieces and an enthusiastic endorsement of the Monster Camp experience for anyone interested in professional-level mask fabrication.
StiltbeastStudios' Allen Hopps walks through the process of airbrushing a creature-style latex mask using a budget-friendly Harbor Freight airbrush. He demonstrates a custom latex mask paint recipe blending casting latex, distilled water, and interior flat house paint, supplemented with Pinata alcohol-based inks for vibrant color and Liquitex high gloss medium for finishing effects. The video also covers practical airbrush maintenance, using a common automotive windshield fluid as a cleaning solution. It's a solid intermediate-level guide for anyone looking to achieve professional-quality paint on latex masks without high-end equipment.
Stiltbeast Studios demonstrates how to achieve professional-looking results on a latex mask using brushes alone — no airbrush or spray equipment required. Several core painting techniques are covered, including drybrushing, glazing, antiquing, and masking. The video is a practical, accessible guide for anyone wanting to elevate their mask painting without investing in spray gear.
Stiltbeast Studios returns for the third installment of their Baby Yoda build series, this time focusing on the painting phase of their haunted-attraction-ready prop or mask. The episode walks through the process of bringing the character to life with color and detail work. Given the series context and channel's professional background in haunt props and masks, this is likely a detailed, technique-driven painting session aimed at a high-quality finish.
Ed Edmunds, founder of Distortions Unlimited and a veteran monster maker with over four decades of experience, shares the personal story behind his all-time favorite mask and monster. His passion traces back to childhood viewings of the Outer Limits TV series, particularly the iconic Sixth Finger episode, which left a lasting impression on his creative direction. The video offers a rare, candid glimpse into the inspirations that shaped one of Halloween's most prolific prop and mask makers.
Allen Hopps of Stiltbeast Studios walks through the process of creating custom paint specifically formulated for latex masks. The tutorial covers how to mix and prepare the paint so it adheres properly to latex surfaces without cracking or peeling. This is a practical technique for haunted attraction performers and prop makers looking to customize or refresh their latex masks.
StiltbeastStudios walks through how to achieve a crackle-paint finish on a latex mask inspired by the aged, distressed look seen in Scream 6. The tutorial covers the painting process step by step, showing how crackle medium creates realistic surface texture that elevates a standard Ghostface mask into a screen-accurate prop. This is a practical technique applicable to haunted attraction costumes and DIY Halloween builds alike.
Distortions Unlimited announces the limited rerelease of Slugger, a classic latex mask originally created in 1982 as part of founder Ed Edmunds' early collector line. New production pieces were cast from molds taken off the original foam master, preserving the vintage character's authentic look. The rerelease coincides with Maskfest 2019, making it a notable event for collectors and Halloween enthusiasts alike.
